I remember reading once this quote about cinema: “The cinema is truth 24 frames per second.” It felt, to me, like it came from the early Soviet filmmakers, perhaps the person who did Berlin: Symphony of a Metropolis. (The quote comes from Godard, which makes more sense than my first assumption.) Even in a world… Continue reading A Festival in Review: Cinemalaya 2021’s Dokyu Program A
Spoilers ahead. There’s a point in Trese that I find really interesting; something that pops out even outside the messy plot and the extremely convoluted double-twist ending. It’s when Datu Talagbusao (voiced by Steve Blum in the English dub) tells Trese that what she has been defending, the Accords—an agreement between the engkanto and the… Continue reading ‘Trese’: Dealing With the Lies of the Past
Moxie is a 2021 film directed by Amy Poehler based on a 2015 book by Jennifer Mathieu. It's about a young girl named Vivian (played by Hadley Robinson) who decides to start an underground zine in her school as a way of promoting feminist ideals in their extremely sexist school and encouraging her classmates to… Continue reading ‘Moxie’: Same Formula, Same Tools
Contains Spoilers for the Netflix film Malcolm & Marie Malcolm & Marie, the 2021 Netflix film written and directed by Euphoria creator Sam Levinson, is the kind of movie that could only be a must-see event during a pandemic. It’s a bare-bones, black-and-white, single-location drama with only two actors on screen, and a script that… Continue reading ‘Malcolm & Marie’ and The Grizzly Business of Inspiration
There is something strange and bold about Olivier Assayas’s 1996 film Irma Vep. Even with more than twenty years removed from the subject, the film can still evoke strong feelings about its subject matter. Even in today’s film environment, it finds itself remaining relevant through its outlook on the commercialization of the film industry and… Continue reading ‘Irma Vep’ and the Place of Audacity in Cinema
The system was made to push dissent down. That much is clear while looking into the history of any socially progressive movement across the world in the last century or so. The tendency seems to be that anyone who is not compliant with the trends of the time will be silenced by the ruling class… Continue reading ‘MLK/FBI’ Review: No Justice in the Status Quo
Apocalypse Child is a 2015 film directed and co-written by Mario Cornejo, and it tells the story of Ford (Sid Lucero), a surfing champion from Baler who might be the bastard child of Francis Ford Coppola. This happy-go-lucky surfer goes through a reckoning of his past actions—and inactions—when his childhood friend Rich (RK Bagatsing) comes… Continue reading ‘Apocalypse Child’ and Living Under the Specter of Someone Else’s Identity
Sine Liwanag 