Festivals, Reviews

Sundance 2022: ‘Resurrection’—A Frightening Mess of a Movie

After Rebecca Hall’s stunning directorial debut Passing premiered at Sundance last year, she is back at the festival, starring in Andrew Semans’ Resurrection. Hall plays Margaret, a career-driven woman and mollycoddling single mother of teenage Abbie (Grace Kaufman). Behind a seemingly pristine life, Margaret’s façade starts to crack when she sees a man from her… Continue reading Sundance 2022: ‘Resurrection’—A Frightening Mess of a Movie

Festivals, Reviews

Sundance 2022: ‘The Exiles’—A Look Into the Eccentric Christine Choy

In a documentary filmmaking course, my professor always said that documentarians are always obscure compared to their counterparts in narrative filmmaking. Ask a person if they know a director and they will give you familiar names like Scorsese, Tarantino, Nolan, and many others known for their narrative films. Out of the names I’ve mentioned, Scorsese… Continue reading Sundance 2022: ‘The Exiles’—A Look Into the Eccentric Christine Choy

Festivals, Reviews

Sundance 2022: ‘Hatching’—A Beautiful Take on the Body and Creature Horror Genre

After the successful festival run of Julia Ducournau’s Titane—even winning the highly regarded Palme d’Or in a Cannes run by the eccentric Spike Lee—body horror is gaining resurgence within mainstream audiences as it gives insight into our fixation on how far human bodies can endure. Hanna Bergholm’s Hatching, elicited mixed responses as expected in most… Continue reading Sundance 2022: ‘Hatching’—A Beautiful Take on the Body and Creature Horror Genre

Festivals, Reviews

Sundance 2022: ‘After Yang’ – A Solemn Take on the Humanity of the Posthuman

Five years after Kogonada’s debut Columbus, he’s back at Sundance with his sophomore feature fresh from its Cannes premiere last July. In a more ambitious artistic endeavor, Kogonada continues to improve himself with After Yang. After Yang is adapted from Alexander Weinstein’s short story “Saying Goodbye to Yang”, a sci-fi tale set in the future… Continue reading Sundance 2022: ‘After Yang’ – A Solemn Take on the Humanity of the Posthuman

Festivals, Reviews

Sundance 2022: ‘Leonor Will Never Die’ – A Love Letter to Filipino Cinema

In Martika Ramirez Escobar's director statement, she talks about a famous action star without any political background nabbing the most powerful position in the country. She reflects on how this ties to the Filipino people’s love for movies, especially action. Decades later, a macho man that seemed straight out of “bakbakan” (fighting) films became the… Continue reading Sundance 2022: ‘Leonor Will Never Die’ – A Love Letter to Filipino Cinema